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Antiquanova replica of an archaic Neapolis Medusa stater (9.9g). Copy of coin from Neapolis, Macedonia, c. 510-480 BC, by Czech replica
maker Antiquanova.
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Some collectors like coin replicas, while some look down
at them. Dealers typically don't like them because there's typically not as much profit in selling them as authentic
ancient coins, and this negativity gets passed on to collectors. But replicas can be very collectible. The best
of them capture the beauty of ancient coins without the history, though the background of some replicas can be
quite interesting.
Collecting an inexpensive replica of an expensive ancient coin is similar to hanging on your wall an inexpensive
poster of an expensive oil painting. Collecting a range of replicas can be an interesting way to see various modern
interpretations of ancient coins.
Many replica collectors prefer their replicas unmarked with "COPY" or a similar designation or inconspicuously
marked so as not to interfere with the coin's design. But according to the U.S. Hobby Protection Act, it's illegal
to make in the U.S. or import into the U.S. replicas made after the law's passage in 1973 that aren't marked conspicuously
with "COPY" in large capital letters on the obverse or reverse (not the edge), though it's not illegal
to sell or buy them once here.
This law doesn't appear to have ever been enforced with regard to ancient coins, however, with no reports of unmarked
replicas ever having been seized. The law has had two effects. Numismatic publications now no longer accept ads
for replicas not marked in accordance with the law. And museums no longer sell unmarked replicas of ancient coins
in their gift shops. Replica makers in other countries are under no obligation to adhere to the U.S. law regarding
replicas.
Replicas can not only be interesting in themselves, they can also help with counterfeit detection. Knowing the
common replicas out there of ancient coins can help you spot fakes because, being less expensive to acquire than
authentic coins, they're often used by forgers as host/seed coins in making cast fakes or in making cast dies for
struck or pressed fakes.
Some people don't distinguish between coin replicas and coin forgeries, regarding them as synonymous. But forgeries
are made to deceive while replicas are not. The distinction is particularly obvious with those replicas marked
to indicate they're replicas, made of a different metal or non-metallic material, made in a different size, or
fashioned with devices and legends on only one side (uniface), though even unmarked same-metal, same-size replicas
can be apparent because of the styling of the devices and legends or the fabric of the metal. Sometimes, however,
the differences between forgeries and replicas can blur.
What follows are examples of Athenian Owl tetradrachms and Alexander the Great tetradrachms from some of the major
ancient coin replica makers in the world today. As you'll see, the quality can vary significantly. Other bona fide
replica makers or vendors of coin replicas in general, not represented here, include Metropolitan Museum of Art,
J. Paul Getty Museum, Newsweek, American Historic Society, Rhodes Commemorative Society, Greek Ministry of Culture,
Greek Coin Circle, National Collector's Mint, Gallery Mint Museum, Royal Oak Mint, Washington Mint, Morgan Mint,
Patrick Mint, Historic Mint, Winter Reproductions, Westair Reproductions, Silvertowne, Warrens Coins, Dorchesters,
By the Sword, TimeLine, Alva, Jake's Marketplace, House of Pewter and Sterling Silver, Lipanoff Studio, Mayer &
Wilhelm, and Wilbert Funeral Services. Also not included below are those who make casts of Slavey, Antiquanova,
and other replicas and sell them as their own.
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Slavey
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The best ancient coin replica maker in the world today is the controversial
Bulgarian Slavey Petrov, who goes by his first name and spells it this way, though sometimes you see it spelled
"Slavei." He currently resides in Germany and has a Web site, Titiana & Slavey Art Numis.
He's not currently active, however, in making coin replicas, though his replicas can still be found on eBay and
through other auctions of some ancient coin dealers.
Slavey is controversial because he doesn't (or didn't) mark all of his replicas as replicas and because indications
are his apprentices have produced modern copies meant to deceive (forgeries). What's more, beginning collectors
can be fooled into thinking that Slavey's own replicas are authentic ancient coins. These two pieces are both marked
on their edges, the Owl with "SL COPY" and the Alex tet with "COPY."
Slaveys have their own look, which a experienced eye can immediately recognize. Slavey's style is characteristically
flamboyant. Slavey appears to deliberately create his own interpretations of ancient coins rather than slavish
copies of them. The die work is different, typically more detailed, flashy, or expressive.
Like the ancients, Slavey hand cuts his own dies rather than using modern machine tools or making casts. Unlike
the ancients, he produces his work with a hydraulic press rather than striking planchets with a hammer. This typically
leads to uniform, overflat fields. The metal with replicas of silver coins is .950 silver.
Slavey has been making coin replicas since 1966. He has sold many of his 300 or so replica dies to others, who
create Slavey replicas from them. Others create casts of Slavey replicas, probably violating copyright statutes,
and sell them as their own replicas, often selling them on eBay (they create casts of the work of other replica
makers as well). These are typically lower in weight than Slavey's own work, which closely approximate the weight
of the ancient coins they copy, and they typically show the characteristic evidence of casts, in particular less
well defined details.
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Antiquanova
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The Czech replica maker Antiquanova also makes excellent
ancient coin replicas, marking them unobtrusively on the reverse with an S countermark for Petr Sousek, the engraver.
Antiquanova, also known as Ancient Coins & Artifacts Reproductions, is also run by Pavel Neumann. Antiquanova
makes replicas of many ancient Greek and Roman coins, and other coins as well. Their work is high quality, with
hand engraved dies and minting with a screw-operated press. They're efficient in servicing orders, but they don't
always respond to email questions.
Antiquanova replicas of silver coins are available in .999 silver (such as these two pieces), .925 silver (sterling
silver), or tin, with the replicas made of tin being less expensive than the ones made of silver. Though Antiquanova
does quality work, some of its replicas are necessarily of higher quality than others. Because Antiquanova replicas
are easier to obtain than Slaveys, you see more copies of them, often sold as replicas by other replica makers
who use them to cast other copies or sold as authentic coins by scammers who tool them to remove the countermark,
create cast copies and tool the molds to remove the countermark, or create transfer dies and took the dies to remove
the countermark.
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Rosa
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The third great ancient coin replica maker of the past half century was
Peter Rosa, who's important not because of the quality of his work but because of his notoriety. Rosa's story is
best documented in Wayne Sayles' 2001 book Classical Deception, and his catalog of Rosa replicas is comprehensive though not complete.
In short, most of Rosa's replicas are copies of copies. Rosa acquired from the British Museum casts of authentic
ancient coins and Becker lead restrikes and made casts of them or used them to create transfer dies to press out
copies. Carl Wilhelm Becker, a German who worked in the early 19th century, is history's most notorious ancient
coin counterfeiter, a collector who started making fakes after having gotten stuck with one himself, eventually
sticking the seller who stuck him. Becker also fooled many of the world's most prominent museums. Rosa named his
company after the German forger, using the name Becker Manufacturing Co. then later Becker Reproductions Inc.
Rosa made his replicas out of a variety of different metals, including silver, though he primarily used a lead
and antimony alloy that he often silver plated. The above Owl replica is such a piece, an original Rosa made by
Rosa himself in the early 1960s, though it's not silver plated. His replicas didn't necessarily conform to the
weights of the authentic coins they copied. He marked some of his replicas on the edge with "COPY," some
with "BECKER," some with the British Museum catalog number, and some with his own catalog number. After
the passage of the U.S. Hobby Protection Act in 1973, Rosa stopped marking his replicas out of protest, in violation
of the law, feeling that its requirement that coin replicas be marked on the obverse or reverse would deface them.
Most of the Rosa replicas that have been on the market lately, like the Alex tet above, are products of a former
apprentice of Rosa, Charlie Doyle, who calls his company Museum Coin Reproductions. He used to be active on eBay
using the eBay I.D. chas051 but no longer seems to be. In an email exchange Doyle said he bought some of Rosa's
molds, made in the 1960s, from Rosa's twin brother after Rosa's death in 1990 to help keep his legacy alive, and
that most but not all were still usable.
Doyle uses a silver-plated lead-free pewter (tin alloy with smaller amounts of other metals such as antimony and
copper). He marks his copies, which he sometimes describes as Rosa replicas, sometimes as Becker replicas, on the
edge with "COPY." His casts are the correct size, but they're very lightweight. Doyle does decent work
as a replica maker, and the Alexander tet replica above, though it has a casty, mushy appearance to it, is well
toned and attractive enough.
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Apollonians
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Apollonians is the newest major vendor of ancient coin replicas to surface.
He has indicated his name is Anastasakos Konstantinos at times and Albert Bechar at other times. He's from Athens,
Greece. Apollonians began selling his wares on eBay in June 2006 and ten months later, in April 2007, eBay canceled
his I.D. (NARUed, for Not a Registered User). The most common reason sellers are NARUed is because they're caught
deceptively propping up their prices through shill bidding -- bidding on their own auctions or having associates
do so. It appears that he has returned to eBay, but he's now selling underweight cast replicas.
Apollonians may have been unique, if what he said was true, in selling replicas that are made as the ancients made
coins. He indicated they're originally engraved and hand struck in silver as good as is available, in his case
.999 silver, and of the correct size and weight. He said that he's supplied by "specialists" in reproduction.
Other aspects of his auction descriptions, however, weren't credible. He described all of his replicas as being
"exact copies" when they're not, with some fairly close in style to the original coins they copy but
some far off. He said that he sells only replicas of rare coins that were made in small numbers in ancient times
and are not available for sale today, and that authentic ancient coins in general are very hard to find. Yet in
actuality he sold replicas of common coins, including the above Owl and Alexander tetradrachm, that were made in
large numbers in ancient times and survive and are sold in large numbers today. He even warned against buying authentic
ancient coins.
His replicas aren't countermarked indicating they're copies. On the other hand, there's no Greek law requiring
this. They're not artificially worn or toned to simulate age.
Apollonians's replicas appear to be fairly well done but inconsistent. I've examined two pieces in person, though
neither of the above pieces. One had nice surfaces and was the coin pictured in the auction, while the other had
small pockmarks over its surfaces, was severely underweight, and was a copy of a different and later variety than
the copy pictured in the auction. If you have either or both of the above replicas and can part with it, please
let me know.
Apollonians sold replicas for two to three times what other replica makers typically charge. Most of his auctions
didn't get bidders, but he had dozens of replicas up at any given time and sold many dozens.
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Charlton Mint
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Like Charlie Doyle of Museum Coin Reproductions, Charlton Mint, a replica company
in Saratoga Springs, N.Y., also makes marked ancient coin replicas based on the replicas of Peter Rosa, but in
its case it makes its own molds from the Rosa replicas it owns. Its cast replicas, which are copies of copies of
copies (third-generation copies), consequently have less detail. It also casts some of its replicas from authentic
ancient coins. Charton Mint's works are made of pewter (tin alloy) and weigh significantly less than the authentic
silver coins they copy. The company sells four different sets of reasonably priced ancient Greek and Roman coin
replicas, with each set including between six and twelve pieces.
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Museum Reproductions
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These replicas are from one of the commercial replica makers with the
word "museum" in its name, Museum Reproductions of Cheshire,
United Kingdom. These aren't high-quality copies, with Athena's nose on the Owl clumsily sliced in half, though
they're priced inexpensively. They also have indistinct details, large casting pits over the coins' surfaces, and
remnants of a casting seam on the edge. They're described as being made from "a lead-free metal," which
is likely pewter. An "R" countermark is visible on the reverses.
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Sandan Art
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These are unmarked jewelry replicas, in this case ceramic copies made
in Turkey. The hole in them is meant for a necklace or earring, and being made of clay they're very lightweight.
They were created by Bekircan Tahberer of Sandan Art, a company that has recently
moved from Turkey to Vancouver, Canada.
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Here's more on Slavey replicas.
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